Quotes —

Stay Curious

Inspiration, collected over the years and across industries.


 “Philosophers have only hitherto interpreted the world'; the point is to change it.”

- Karl Marx



“Impose your luck, embrace your happiness and go toward your risks; by looking at you, they’ll get used to it.”

- Rene Char 



“Do not ask who I am and do not ask me to remain the same.”

- Michel Foucault


“A great deal of what is normally thought of as intelligence, is actually imagination – that is, an ability to see things as they truly are.”

- Lucian Freud

Art:

  • Christian Louboutin

    “I just start drawing and it’s the pleasure of drawing itself that brings me ideas.”

  • David Hockney

    “Obviously, I had some facility, more than other people, but sometimes facility comes because one is more interested in looking at things, examining them, and making a representation of them, more interested in the visual world, than other people are.”

  • Lucien Freud

    “I begin to think a picture is finished when I have the sensation I am painting someone else’s picture.”

  • Robert Motherwell

    “I think the deepest discoveries in art have to do with the artist’s materials, the liquids, grounds, instruments, brushes, sticks, palette knives, pen points, whatever.”

  • Arakawa and Gins

    “Life, in the form it has constructed itself into in our era, will enslave even the most self-critical of artists.”

  • Peter Sloterdijk

    “Ought we to accept the claim that the history of academic philosophy ends with Nietzsche and then history of the art of thinking begins?”

  • Lucien Freud

    “It is the only point of getting up every morning: to paint, to make something good, to make something even better than before, not to give up, to compete, to be ambitious.”

“Most of the wonderful places in the world were not made by architects but by the people.”

- Christopher Alexander

Architecture:

  • Loius Kahn

    “What does a house want to be?”

  • Christopher Alexander

    “I am trying to make a building which is like a smile on a person’s face…”

  • Frank Lloyd Wright

    “Youth is not an age thing. It's a quality. Once you've had it, you never lose it.”

  • Merleau-Ponty

    “Language, as an expressive phenomenon, is constitutive of consciousness. In this perspective, to learn to speak is to increasingly coexist with the environment. To live in an environment is, for the child, the incentive to recapture language and thought to make them his own. Thus, acquisition no longer resembles deciphering a text for which one would possess the code and key; rather, it is “deciphering” (deciphering without knowing the code).”

  • Frank Gehry

    “I think it came out of the war, this tendency towards clearing the decks, cleaning everything up, having austerity and simplicity, making things minimal. I liked it in sculpture - Donald Judd, Richard Serra, Carl Andrea - I didn’t like it in buildings. If you went into houses like that, you felt as if you had to sit a certain way. I couldn’t imagine taking your jacket off and leaving it on a chair, or leaving your shoes while you got your slippers. It would just feel like you had to be more careful about things. Now people are doing it again. There’s a nouveau minimalism now, and it seems more ridiculous than the first time around.”

  • Brian Massumi

    “Interactivity backgrounds its own artistic dimension when it concentrates on the function of the instrument to the detriment of the semblance expression. That’s what has happened when we hear the comment, all too common, from interactive art participants that the experience felt like a video game. You often feel there’s a trick you need to find and master, and once you’ve done that, you lose interest because you’ve got the feel of it and know how it “works”. When something loses intensity instead of becoming more compelling when you get the feel of it, it is a sure sign that it is operating more on a level of predefined objective function than fully lived relation.”

  • Christopher Alexander

    “The difference between the novice and the master is simply that the novice has not learnt, yet, how to do things in such a way that he can afford to make small mistakes. The master knows that the sequence of his actions will always allow him to cover his mistakes a little further down the line. It is this simple but essential knowledge which gives the work of a master carpenter its wonderful, smooth, relaxed, and almost unconcerned simplicity.”

  • Arakawa and Gins

    “The Gist — 2008 In utero, the body gives itself primarily to organism-assembly and only incidentally to actions and interactions. From infancy on, actions and interactions come increasingly to the fore while organism-assembly fades into the background. In any event, at all times forming – organism-assembly –happens in close association with doing – actions taken by the organism—, and doing always has some influence on forming. It may not be readily graspable and thus eludes everyday awareness but nonetheless it is the case that organism-assembly, the group of processes that together count as this, underlies all actions and interactions. Similarly, it is also subtly but surely the case that actions and interactions, which originate, after all, in relation to or even as organism-assembly processes, always indirectly affect organism-assembly, holding some degree of sway over it. What if from infancy on, actions could be made to bear more directly and regularly on organism-assembly? Having the means to approach and contribute to ongoing organism-assembly would certainly greatly advantage human beings in their continual struggle to remain viable. To be able to revisit and re-connect at will with organism-assembly would, in effect, be to have it within one’s power to go on indefinitely. The Arakawa + Gins team has spent four decades studying how architecture might best be used to sustain life.”

“Just try and get in there and make the bloody film, do good work and be with people you love.”

- Christopher Doyle

Cinema:

  • Orson Welles

    “It is too bad that there is no money spent in Hollywood for experiment. If you take any other large industry…you spend at least ten percent – maybe twenty percent – of your profits on a laboratory where experimentation is done.”

  • David Lynch

    “Ideas are everywhere. You get ideas all day long and once in a while you get an idea you fall in love with. That’s a beautiful day. Bu you never get the whole thing at once. You get it in fragments. So many non-linear things are happening in a day. We’ve got this thing called memories, and a picture forms from memories or from imaginary things. An idea can be conjured by a little something you saw in Northern Ireland, and it swims in right next to something that’s on the floor in front of you. The flow of all different kinds of things - if you were to put that together, it would be like a crazy film."

  • Christopher Doyle

    “You see the world, you end up in jail three or four times, you accumulate experience. And it gives you something to say. If you don’t have anything to say then you shouldn’t be making films. It’s nothing to do with what lens you’re using.”

  • Deleuze

    “For me, film is inseparable from a notion which it invented: the permanent spectacle.”

  • Casey Afflek

    “Just the disingenuousness of it - just the putting on the fitted shirt and mugging at the photo shoot. That sort of performing-as-yourself aspect of it, I wasn’t good at. I’m not above it - there are people who are peers who have basically built a whole career out of it, and I wish that I could make a better living doing this and I didn’t have to go job to job.”

  • Orson Welles

    “My sole value in my eyes is that I don’t dictate laws but am an experimenter. Experimenting is the only thing I’m enthusiastic about. I’m not interested in art works, you know, in posterity, or fame, only in the pleasure of experimentation itself. It’s the only domain in which I feel that I am truly honest and sincere…we professional experimenters have inherited an old tradition. Some of us have been the greatest of artists, but we never made our muses into our mistresses. For example, Leonardo considered himself to be a scientist who painted rather than a painter who was a scientist…”

  • Christopher Doyle

    “Books take longer to get out there and don’t have the vitality of the street and visceral ideas and the eclectic nature of how the mind and the eye work.”

“If art is to nourish the roots of our culture, society must set the artist free to follow his vision wherever it takes him.”

- John F. Kennedy

Culture:

  • Antoine de Saint-Exupery

    “If you want to build a ship, don’t drum up people to collect wood and don’t assign them tasks and work, but rather teach them to long for the endless immensity of the sea.”

  • Marcel Duchamp

    “The word “belief” is another error. It’s like the word “judgement”, they’re both horrible ideas, on which the world is based. I hope it won’t be like that on the moon!”

  • Heinrich Heine

    “Where books are burned, in the end people will be burned.”

  • Rumi

    “Out beyond ideas of wrongdoing and right-doing, there is a field. I’ll meet you there.”

  • Yvon Chouinard

    “I’ve been a businessman for almost fifty years. It’s as difficult for me to say those words as it is for someone to admit being an alcoholic or a lawyer. I’ve never respected the profession.”

  • Buckminster Fuller

    “Whenever I draw a circle, I immediately want to step out of it.”

  • Don Byrd

    “For the dying ones, symmetry is the first claim and necessity of knowledge: for earth there is sky; for land, there is ocean; for subject there is object; for every distinguished this, there is that.”

  • Marcel Duchamp

    “I haven’t been to the Louvre for twenty years. It doesn’t interest me, because I have these doubts about the value of the judgments which decided that all these pictures should be presented to the Louvre, instead of others which weren’t even considered, and which might have been there.”

  • Marshal McCluhan

    “Continued in their present patterns of fragmented unrelation, our school curricula will insure a citizenry unable to understand the cybernated world in which they live. Any subject taken in depth at once relates to other subjects.”

  • Montaigne

    “Sometime towards the end of the sixteenth century, Montaigne reached up to the ceiling of this library and scratched off an inscription he had placed there some years before…The inscription Montaigne erased was a line from the Roman poet Lucretius: Nec nova vivendo procuditur ulla voluptas - There is no new pleasure to be gained by living longer.” Montaigne, in effect, shed his Stoicism, and cast aside his fatalism. The thought of life, as the preparation for an afterlife, no longer concerned him. This moment marked, as Frampton notes, “a shift from a philosophy of death to a philosophy of life.”

  • David Foster Wallace

    “It might be that one of the really significant problems of today’s culture involves finding ways for educated people to talk meaningfully with one another across the divides of radical specialization… Maybe there should be a word; maybe being able to communicate with people outside one’s area of expertise should be taught, and talked about, and considered as a requirement for genuine expertise.”

“An object of beauty and utility. An emblem of simplicity.”

- Peter Buchanan Smith

Design:

  • Buckminster Fuller

    “The specialist in comprehensive design is an emerging synthesis of artist, inventor, mechanic, objective economist and evolutionary strategist.”

  • Saul Bass

    “I often think that presentations are more difficult than the work itself.”

  • Charles Eames

    “Choose your corner, pick away at it carefully, intensely and to the best of your ability and that way you might change the world..”

  • Steve Jobs

    “Simple can be harder than complex.”

  • Yves Saint Laurent

    “Anyone who reaches for great expression has to be careful of the ridiculous.”

  • Stefan Sagmeister

    “Complaining is silly. Either act or forget.”

  • Connor Burtis

    Just about anything he says.

“A single gentle rain makes the grass many shades greener.”

- Henry David Thoreau

Education:

  • Michel Serres

    “We are still teaching our young people in institutional frameworks that come from a time they no longer recognize. Buildings, playgrounds, classrooms, lecture halls, campuses, libraries, laboratories, even forms of knowledge - these frameworks, I am saying, date from a time and were adapted to an era when both the world and humans were something they are no longer.”

  • Maria Montessori

    “If humans move from one place to another by means of walking, if they perform the movement of grasping something, if they turn their eyes, if they speak, if they write, etc., they always perform movement and, thus, to educate movement would be to educate all of life.”

  • Erin Manning

    “Every classroom that penalizes students for distributed modes of attention organizes learning according to a neurotypical norm. Every classroom that sees the moving body as the distracted body is organized according to a neurotypical norm. Every classroom that teaches predominantly for one mode of perception is organizing its learning according to a norm. Every classroom that knows in advance what knowledge looks and sounds like is working to a norm.”

  • Henri Bergson

    “For the child is a seeker and an inventor, always on the watch for novelty, impatient of rule, in short, closer to nature than is the grown man…let us cultivate a child’s knowledge in the child, and avoid smothering under an accumulation of dry leaves and branches, products of former vegetations, the new plant which asks nothing better than to grow.”

  • J.M. Guyau

    “In my opinion education has been far too much looked upon as the art of bringing up the individual - apart from the family and the community. From the individual we try to get the best yield; but it is as if a farmer were to endeavor for a few years to get the largest possible crops from a field without restoring to the land what he has taken from it: the field would eventually be exhausted.”

  • Epicurus

    “Enjoyment does not come after learning, but learning and enjoyment come together.”

  • Alfred North Whitehead

    “In my own work at universities I have been much struck by the paralysis of thought induced in pupils by the aimless accumulation of precise knowledge, inert and un-utilized. It should be the chief aim of a university professor to exhibit himself in his own true character - that is, as an ignorant man thinking, actively utilizing his small share of knowledge. In a sense, knowledge shrinks as wisdom grows: for details are swallowed up in principles.”

  • Emerson

    “Your conformity explains nothing. Act singly, and what you have already done singly will justify you now.”

  • J.M. Guyau

    “The main duty of education is to give to the mind a framework whereon to group the facts and ideas given us in the sequel by reading and experience.”

  • Alfred North Whitehead

    “The stage of romance is the stage of first apprehension. The subject-matter has the vividness of novelty; it holds within itself unexplored connections with possibilities half-disclosed by glimpses and half-concealed by the wealth of material. In this stage knowledge is not dominated by systematic procedure…”

  • Paulo Freire

    “Any situation in which some individuals prevent others from engaging in the process of inquiry is one of violence. The means used are not important; to alienate human beings from their own decision-making is to change them into objects.”

  • Bernard Steigler

    “Education must change because knowledge has changed…It seems very likely to me that the reinvention of digital tools from an educational perspective will lead to a reinvention of the web itself.”

“You have to play a long time to be able to play like yourself.”

- Miles Davis

Music:

  • Miles Davis

    “Their (Parker and Gillespie) concept of music was more rather than less. I personally wanted to cut the notes down, because I’ve always felt that most musicians play way too much for too long. I wanted the music this new group would play to be freer, more modal…I wanted them to go beyond themselves. See, if you put a musician in a place where he has to do something different from what he does all the time, then he can do that - but he’s got to think differently in order to do it. He has to use his imagination, be more creative, more innovative; he’s got to take more risks. He’s got to play above what he knows - far above it - and what that might lead to might take him above the place where he’s been playing all along, to the new place where he finds himself right now - and to the next place he’s going and even above that! So then he’ll be freer, will expect things differently, will anticipate and know something different is coming down. I’ve always told the musicians in my band to play what they know and then place above that.”

  • Brian Eno

    “In a blinding flash of inspiration, the other day I realized that ‘interactive’ anything is the wrong word. Interactive makes you imagine people sitting with their hands on controls, some kind of gamelike thing. The right word is ‘unfinished.’ Think of cultural products, or art works, or the people who use them even, as being unfinished. Permanently unfinished.”

  • Nietzsche

    “Without music, life would be a mistake.”

“Creation takes place in bottlenecks . . . A creator who isn’t grabbed around the throat by a set of impossibilities is no creator. A creator’s someone who creates their own impossibilities, and thereby creates possibilities . . . it’s by banging your head on the wall that you find a way through. You have to work on the wall, because without a set of impossibilities, you won’t have the line of flight, the exit that is creation...you have to open up words, break things open....”

- Gilles Deleuze

Philosophy:

  • Stanley Cavell

    “This is philosophy become the education of grownups. Children, having gained a common mastery of language, head off to school, where they learn more and increasingly more specific ways of talking: about languages and literatures, about flowers and projectiles, about historical change and economic, and more. It is later when all of this is more or less settled in place that we can be knocked down by the questions of Augustine, Luther, Rousseau, Thoreau…and then we are all children again, looking in our lives, as it were from the outside. The education of grownups is their re-education, re-entering the grownup world. It may change. It may involve conversion.”

  • Nietzsche

    “So we walked on beside the philosopher, ashamed, compassionate, dissatisfied with ourselves, and more than ever convinced that the old man was right and that we had done him wrong. How remote now seemed the youthful dream of our educational institution; how clearly we saw the danger which we had hitherto escaped merely by good luck, namely, giving ourselves up body and soul to the educational system which forced itself upon our notice so enticingly, for the time when we entered the public schools up to that moment. How then had it come about that we had not taken our places in the chorus of its admirers? Perhaps merely because we were real students, and could still draw back from the rough-and-tumble, the pushing and struggling, the restless, ever-breaking waves of publicity, to seek refuge in our own little educational establishment; which, however, time would have soon swallowed up also.” - On The Future of Our Educational Institutions

  • Erin Manning

    “Every classroom that penalizes students for distributed modes of attention organizes learning according to a neurotypical norm. Every classroom that sees the moving body as the distracted body is organized according to a neurotypical norm. Every classroom that teaches predominantly for one mode of perception is organizing its learning according to a norm. Every classroom that knows in advance what knowledge looks and sounds like is working to a norm.” - Erin Manning

  • Roland Barthes

    “Current toys are made of a graceless material, the product of chemistry, not of nature. Many are now moulded from complicated mixtures; the plastic material of which they are made has an appearance at once gross and hygienic, it destroys all the pleasure, the sweetness, the humanity of touch.”

  • Bertrand Russell

    “In studying a philosopher, the right attitude is neither reverence nor contempt, but first a kind of hypothetical sympathy, until it is possible to know what it feels like to believe in his theories, and then a revival of the critical attitude, which should resemble, as far as possible, the state of mind of a person abandoning opinions which he has hitherto held.”

  • Michel Serres

    “The key to inventing through conversation is to ensure that the conversation is not … a sort of fight to the death between two set opinions. Each participant in the conversation must be free and open.”

  • Nietzsche

    “We sometimes proceed in a spiritual direction that is contrary to our talents; for a time, we struggle heroically against the tide and the wind, basically against ourselves: we become tired; whatever we accomplish brings no real joy. Indeed, we despair about our fertility, our future, perhaps in the midst of victory. Finally, finally, we turn around - and now the wind blows in our sail and drives us into our channel. What happiness! How certain of victory we feel! Now, for the first time, we know what we are and what we want; now we swear fidelity to ourselves and are permitted to do so - as those who know.”

  • Jacques Derrida

    “The archivization produces as much as it records the event.”

  • Walter Benjamin

    “The work of memory collapses time.”

  • Bergson

    “To pierce the mystery of the deep, it is sometimes necessary to regard the heights. It is earth’s hidden fire which appears at the summit of the volcano.”

  • Nietzsche

    “To the truly cultured man is vouchsafed the inestimable benefit of being able to remain faithful, without a break, to the contemplative instincts of childhood.”

“How do you make your pictures?
— I don’t know, it’s not important.”

- Henri Cartier-Bresson

Photography:

  • Henri Cartier-Bresson

    “For me photography is to place head and heart and eye along the same line of sight. It’s a way of life.”

  • Robert Capa

    “If your pictures aren’t good enough, you’re not close enough.”

  • Diane Arbus

    “A picture is a secret about a secret, the more it tells you the less you know.”

  • Robert Frank

    “When people look at my pictures I want them to feel the way they do when they want to read a line of a poem twice.”

  • Jeff Wall

    “Well, of course we are living in an interesting time for photography right now. There’s a lot of excitement about the transmission of the image, so much so that the image itself is less significant than the transmission of it. Right now, the real aesthetic is the excitement in the transmission. I am interested in this dynamic between the tableau, which is slow and physical and has to be experienced in a real place, and the transmission. The dematerialization of the image on, say, Instagram, interests me. And I am fascinated by how the transmission system needs new images constantly. It is all about excitement, but maybe not so much about contemplation.”

  • Susan Sontag

    “Photographs are a way of imprisoning reality…One can’t possess reality, one can possess images–one can’t possess the present but one can possess the past.”

  • Roland Barthes

    “What the photograph reproduces to infinity has occurred only once: the photograph mechanically repeats what could never be repeated existentially.”

  • Elliott Erwitt

    “The whole point of taking pictures is so that you don’t have to explain things with words.”

  • Joan Miro

    “You can look at a picture for a week and never think of it again. You can also look at a picture for a second and think of it all your life.”

“The self is only a threshold, a door, a becoming between two multiplicities.”

- Deleuze and Guattari

Psychology:

  • Freud

    “The manifestations of a compulsion to repeat (which we have described as occurring in the early activities of infantile mental life as well as among the events of psycho-analytic treatment) exhibit to a high degree an instinctual character and, when they act in opposition to the pleasure principle, give the appearance of some ‘daemonic’ force at work. In the case of children’s play we seems to see that children repeat unpleasurable experiences for the additional reason that they can master a powerful impression far more thoroughly by being active than they could by merely experiencing it passively. Each fresh repetition seems to strengthen the mastery they are in search of.”

  • Merleau-Ponty

    “Philosophy should discover the meaning of phenomena described by the scientist {savant}. The role of philosophy is to reconstitute the world that the physicist sees, but with the "fringe” that the scientist does not mention that is furnished by his contact with the qualitative world. This program remains valuable for us; there will be no difference between psychology and philosophy. Psychology is always an implicit, beginning philosophy and philosophy has never finished its contact with facts.“

  • Freud

    “We must be patient and await fresh methods and occasions of research. We must be ready, too, to abandon a path that we have followed for a time, if it seems to be leading to no good end. Only believers, who demand that sciences shall be a substitute for the catechism they have given up, will blame an investigator for developing or even transforming his views. We make take comfort, too, for the slow advances of our scientific knowledge in the words of the poet: 'what we cannot reach flying we must reaching limping…”

“I would trade all my technology for an afternoon with Socrates.”

- Steve Jobs

Technology:

  • Werner Heisenberg

    ‘Every tool carries with it the spirit by which it was created.”

  • Buckminster Fuller

    “I just invented then waited around for the world to need what I invented.”

  • Tim Berners-Lee

    “You effect the world by what you browse.”

  • Jony Ive

    “If you do something and it turns out pretty good, then you should go do something else wonderful, not dwell on it for too long. Just figure out what’s next.”

  • Henry David Thoreau

    “Men have become the tools of their tools.”

  • Daniel Hillis

    “Functional abstraction is what decouples the ideas from the technology…the true power of the computer is that it is capable of manipulating not just the expression of ideas but also the ideas themselves.”

“What's so hard about that first sentence is that you're stuck with it. Everything else is going to flow out of that sentence. And by the time you've laid down the first two sentences, your options are all gone.”

- Joan Didion

Writing:

  • Roberto Calasso

    “Every time the writer sets down a word, he must fight to win them back.”

  • Paul Virilio

    “I always write with images. I cannot write a book if I don’t have images.”

  • Natalie Goldberg

    “I never think I have a gift for writing. I practice and I keep showing up, and that’s what makes the difference.”

  • Lafcadio Hearn

    “Words are very much like lizards; they change colour according to position.”

  • Gilles Deleuze

    “The shame of being a man. Is there any better reason to write?”

  • Gilles Deleuze

    “Let us create extraordinary words, on condition that they be put to the most ordinary use and that the entity they designate be made to exist in the same way as the most common object.”

  • Adam Phillips

    “That’s easy to talk about, but difficult without either sounding precious or glib—because there is no creative process. I mean, I sit down and write. That is really what happens. I sit down in the morning on Wednesday and I write. And sometimes it doesn’t work and almost always it does work, and that’s it. Like everybody else, I sometimes have a problem starting, but it passes quickly. I sometimes get stuck and then I just abandon it. I don’t try. I’m not somebody who works hard at writing. I wouldn’t know how to do that. I wouldn’t know what to do, if you see what I mean. I just write until it runs out, and then I start again when I can do it again, but I do like to be able to do it regularly, simply because I love the experience of doing it.”

  • Thomas Bernhard

    “The thing that impels me to write is quite simply my appetite for play. You get an enjoyable feeling from staking everything on a single card and consequently knowing that every time you can either win the whole jackpot or lose it. The risk of failure seems to me an essential stimulus. There’s also a different kind of enjoyment in figuring out how to cope with words and sentences. The actual subject-matter I think of as being quite secondary; all you have to do with it is scoop out of it the stuff that surrounds us. I am convinced that in a very strict sense every human creature carries the weight of humanity as a whole. The only thing that distinguishes individual people from one another is their way of coping with the world.”

  • McKenize Wark

    “Write a sentence claiming X. Write a sentence refuting X. Write a sentence reconciling X and not-X. Write a sentence refuting the reconciliation. Write a sentence claiming X.” On Gertrude Stein